This is one of the questions that people ask the most about Ivan Reitman’s net worth, and although they always end up answering it on other pages with an “I don’t know, you know” or “it depends” if there are some estimates that various web portals mention. But, here’s our take.
Ivan Reitman OC was a Czechoslovak-born Canadian film and producer, television director, and screenwriter. Ivan Reitman’s net worth is estimated to be around $90 million at the time of his death. We have estimated Ivan Reitman’s net worth from salary, money, income, and assets.
| Name | Ivan Reitman |
| Age | 74 years |
| Nationality | Canadian |
| Died | February 12, 2022 |
| Date of birth |
October 27, 1946
|
| Occupation | Film and television director film and television producer screenwriter |
| place of death | Montecito |
| Spouse(s) | Geneviève Robert
(m. 1976; his death 2022) |
| Children | 3; including Jason and Catherine |
| Net Worth | $90 million |
How Did Ivan Reitman Die?
The film director built the mold for the popular comedy of the 80s, from ‘Meatballs’ to ‘The Nutty Squad’.
A bit of MASH and a bit of Mad; a bit of Stan Laurel and Oliver Hardy and a bit of John Waters. A bit of Mel Brooks and a bit of Saturday Night Live. Thus, by approximation, we could explain Ivan Reitman, a Canadian filmmaker born in Czechoslovakia, who died in his house in Montecito, California, “while he slept”, at the age of 75.
Reitman could also be located by his own works. Ghostbusters, The Nutty Squad, and The Meatballs, all directed by the filmmaker, were the mold of the popular comedy of the 1980s. His most important films were about losers, hung and rather colorful types, who hid secret romantic interests and tried to of getting ahead in a world that had reneged on the idealisms of the 1970s and indulged in new forms of self-indulgence. And in that clash between a stupid world and the loser who discovered his noble background, comic situations arose. It is not surprising that, with this model, Reitman was the filmmaker who launched the career of Bill Murray.
There was a “before” that ’80s moment of success. Cannibal Girls (1973), Reitman’s first film, was an almost amateur example of light-hearted ’70s horror. Meatballs, from 1979, already introduced Reitman within the Hollywood system, aboard a camp comedy. A chorus of lazy, easygoing, outgoing, fresh, repressed, and uninhibited girls faced the world of adults based on insubordination and irony. Murray enjoyed his first leading role in that comedy.
More or less that was the same scheme of The Crazy Squad (1981), which took the same type of characters from summer camp to the army. Harold Ramis, another actor made for the Reitman stories, was accompanying Murray alongside Sean Young, the replicant from Blade Runner. His success was the key that put the filmmaker at the forefront of his great work, Ghostbusters (1984), one of the most colossal successes of the multiplex era. Ramis and Murray shared the poster with Dan Aykroyd and Sigourney Weaver with a lot of special effects that today seem charming to us because they were old but at that time they were a marvel. Beyond what was brilliant, Ghostbusters was, once again, the film of disinherited, anarchic characters, uncomfortable for the world around them, who rebelled against mediocrity.
Reitman hit a ceiling in Ghostbusters. Ghostbusters 2, Dave, Junior… His later comedies lost that revulsive air and part of his interest, although they had some merits: Reitman was the filmmaker who discovered the comic talent of Arnold Shwarzenegger. While Murray drifted into the cult dramatic actor he is today, his godfather made it up to him by getting a few laughs out of Conan. That was another good joke.
Amelia Warner
Amelia Warner writes all the Latest Articles. She mostly covers Entertainment topics, but at times loves to write about movie reviews as well.
