Pat Hitchcock Net Worth
This is one of the questions that people ask the most about Pat Hitchcock’s net worth, and although they always end up answering it on other pages with an “I don’t know, you know” or “it depends” if there are some estimates that various web portals mention.
Patricia Hitchcock Net Worth: Patricia Alma O’Connell (née Hitchcock; 7 July 1928 – 9 August 2021), commonly known as Pat Hitchcock, was an English actress and producer. As of 2021, Pat Hitchcock’s net worth is estimated to be around $150 million at the time of her death. However, it is not possible to make an exact calculation about the fortune of this great actress. We have estimated Pat Hitchcock’s net worth, salary, money, income, and assets.
|Full Name||Patricia Alma O’Connell|
|Date of Birth||Jul 7, 1928 (93 years old)|
|Born Place||London, United Kingdom|
|Profession||Actor, Film Producer|
|Net Worth||$150 million|
|Died on||9 August 2021|
Patricia Hitchcock Death
Pat Hitchcock bore one of the most recognizable last names in film history, yet she was never able to rise to the top of stardom with her passion as an actress. Not even being the daughter of such an influential character as Alfred Hitchcock. The only descendant of the director of Psychosis and his wife, the editor Alma Reville, died on August 9 at the age of 93 after having lived a youth surrounded by other people’s success that did not touch her.
Patricia Alma Hitchcock was born in London in 1928, two years after her parent’s marriage, and just as Alfred was climbing the ladder in the British film industry. With two parents so devoted to their cinematic histories, Pat grew up among sets, studios, and artists, feeling her own call to the world of acting since she was a child.
Her father collaborated in her first professional steps helping her to land roles in Broadway plays, such as Solitaire (1942), when she was 14 years old, while Pat took her first leading role in 1944 with Violet, being the first time that her father had her. I saw acting on the stage. The truth is that Pat managed to stay in the theatrical world for a time, both in New York and London, where she attended the Royal Academy of Dramatic Art. That is, as her father gained a reputation in California, she was preparing to earn a living as a trained and experienced actress.
Knowing the nepotism so present in the film industry since its inception, anyone would think that her path to the top of Hollywood should have been easy. But it was not the case. Her father asked her on some occasions to appear in her films, but never with characters that made her stand out to the general public or overshadowed the filmmaker’s legendary muses. She had a fleeting role as a cheerful student in her father’s first British film since she emigrated to the United States, Panic on the scene (Stage Fright) (1950), as well as serving as the double of the protagonist, Jane Wyman, in one scene. reckless driving. It was her own father who asked him if she would not mind-bending the star in a sequence of danger.
She had other minor roles in her father’s filmography, such as Strangers on a Train (1951) and Psycho (1960) -where she gave life to Caroline, the woman who offered tranquilizers to the character of Janet Leigh-, in addition to serving as an extra and Appearing in ten episodes of Alfred Hitchcock features “whenever they needed a maid with an English accent,” as she told The Washington Post in 1984.
But beyond her last name and the sporadic possibility of fulfilling her artistic dreams through insignificant roles in her father’s filmography, Pat tried to carve out her career independently, but only landed a few sporadic roles in plays, radio, and film as a Small role in The Ten Commandments (1956).
Pat married very young age in 1952, at age 24, to a businessman named Joseph E. O’Connell and they had three children right away (1953, 1954, and 1959). And while she came close to fulfilling her dream of reaching the top as the lead on the NBC sitcom The Robert Cummings Show, her second pregnancy changed her plans.
During those early years as a mother, she continued to work as an actress sporadically, but collaborations with her father were her most outstanding works. However, while Alfred created the school with her cinema between 1958 and 1964 with classics such as Vertigo, Death on her heels, Psycho, The Birds, and Marnie the thief, Pat’s career was dying out.
Despite her close relationship with Alfred, going shopping and church together on Sundays, she did not see her as the perfect star for her movies, and despite Pat’s wishes, she did not take her into account. enough. This is what she herself confessed in the previously mentioned interview, assuring that she would have liked her father to ” believe in nepotism” because that way “she would have worked much more.”
“But she never had anyone in her films unless she believed they were suitable for the role, “ confessed in 1984. ” I never settled history to a star or actor. I often tried to give her assistant hints [that she wanted a character], but I never got very far. She would tell him my name and she would answer ‘It’s not suitable for the role’ and that’s where the attempt would end ”.
Although her acting career had its first hiatus after her small role in Psycho, it came to a final end after trying again in the 70s.
However, throughout her life, Pat remained very close to her parents’ legacy. She was the family representative for the mystery magazine named after her father, Alfred Hitchcock’s Mystery Magazine, and wrote the foreword for a book about her father, Footsteps in the Fog: Alfred Hitchcock’s San Francisco, and co-wrote another book about her mother. , Alma Hitchcock: the woman behind the man.
Pat survived her father’s death from kidney failure in 1980 at age 80, her mother’s two years later, and her husband’s in 1994 from a heart attack. She is survived by her three daughters, Mary, Tere, and Katie.